. . . Following the many encouraging comments I received for my first eBook “Street Photography – A Personal Point of View“, I was keen to set to work on my next ‘magnum opus’.
Here then and for your viewing pleasure, is my latest offering “Not Of The Street – Men With Beards“, in PDF format and available for FREE download in the eBooks section.
This time the subject is both a series of 15 Portraits, taken with the Leica X (Type 113) that I recently reviewed, as well as many sentences regarding my views on the meaning and (perceived) limitations of the word ‘Street’ in Street Photography.
. . . With this review I thought it would be the perfect opportunity to try something completely different, both for the Street Photography Blog and (possibly) for camera reviews in general. So in documenting my experiences with the Leica X, I’ve split it into two distinct parts.
Part One consists of this review, which is a hands-on look at how the camera performed when recently taking it round the UK Photography Show.
Part Two is an accompanying (and FREE) eBook in PDF format. The eBook “Not Of The Street” features (as well as writing) the main ‘body’ of photographs taken during the time spent shooting with the Leica X and which are themselves a first for my photography, a series of 15 portraits. Enjoy . . .
. . . There’s an old saying ‘The Best-Laid Plans of Mice and Men Often Go Awry.’
In my case, at the Photography Show, that’s so very true. But on this occasion, it’s all for the better – much better.
I’d originally made a mental-plan of things to do, places to go and people to see. That was until today . . .
. . . The following is a summary of those exhibits I felt had a relevance to Street Photography . . .
. . . My eyes have been opened to a whole other world – that of the ‘jobbing’ photographer. In particular and if my feet are anything to go by, I have gained a newfound respect for those who make it their living.
I’d made a point of arriving at the show some 30 minutes before the doors were due to open, in anticipation of finding a good parking spot (near Hall 5) and in the hope of beating the ‘mad rush’. Sadly it appeared that everyone else had the same idea. Doubly sadly and not knowing the layout of the N.E.C, the carpark I was directed to was some 1/2 mile from the Photography Show. Oh well.
After what seemed like an eternal walk, I’d arrived at the entrance to the show and was greeted by an immense gathering, everyone congregated in anticipation of the large black curtain being removed – and there I stood at the back. “This is gonna take forever” I thought . . .
. . . So tomorrow is the start of the N.E.C. Photography Show. Now this is the first camera show I’ve ever been to (yes really), which probably explains my anticipation and rather strangely, nervousness.
Nervous you ask, but it’s only a photography show?
Typically it wouldn’t be an issue, after all I’m no stranger to visiting shows for subject matter such as motorcycles, or guitars. However, this is the first time I’ll not be attending from the perspective of Joe Public, but as someone looking to provide coverage and insight of the events and exhibits at the show ‘for Joe Public’.
So here I sit, in my camper van, somewhere on a campsite about 10 miles from the N.E.C. – glass of Chateu du Chatalais in one hand, iPad in the other, typing this post.
The final checklist was done this morning, before making the 190 mile journey from Cumbria to ‘the Midlands’.
The Gods of Photography must be smiling down, as not only have I secured a Press Pass for the upcoming Photography Show at the N.E.C. Birmingham on 21st – 24th March, Leica have very kindly provided me with one of their latest cameras for review, a Leica X. Thank you Leica UK . . .
. . . I’m quickly discovering that in the world of camera reviewing, it’s easy to fall into a ‘standard’ frame of mind. Take one camera, compare it to similar models from other manufacturers, ‘peep’ at the images on a pixel level, examine the spec’s and from that, offer an opinion as to whether it’s better or worse than the others. Simple really?
There’s of course a problem with this much favored style of appraising a cameras’ strengths and weaknesses – it tells the reader nothing about what it’s actually like to use in the real world.
Therefore you won’t find any of that ‘stuff’ in my reviews. Yes I may make passing comparisons to another model or two, but this is always from a usability point of view – which leads me to this rather smart offering from Leica, the ‘X’.
. . . With The Photography Show 2015 at the N.E.C. Birmingham starting next weekend on the 21st March, my poor little feet (and fingers) are going to be taking a hammering.
What initially started out as ‘just a day at the show’, has in a short space of time become a huge logistical exercise (for me at least).
Since planning a visit to the Birmingham exhibition, I applied for (and received) what is probably the holy grail as far as enthusiastic photographers are concerned – a Press Pass.
This of course opened up a multitude of possibilities for what could be achieved at the show, amongst many being – free access to all 4 days, access to the Press Room (with comfy chairs), desks, refreshments and free wi-fi.
Then there’s the ‘press pack’ on a USB stick, as well as ‘press only’ Q&A sessions and interviews with many well known and famous photographers, including Martin Parr.
UPDATE – I’ll be attending the four days as a member of The Press . . .
. . . I’ll be at the Photography Show 2015 at the N.E.C. Birmingham between the 21st & 24th March.
Will be taking the opportunity to try out the latest Street Photography orientated cameras and gadgets and maybe even interview some popular figures in the world of Street Photography.
Of course you’ll be able to read all about it on the Blog and on my Twitter and Facebook pages.
Would be great to meet and say hello. See you there.
. . . Time fly’s by when you’re having fun and it’s incredible to think that I’ve been uploading photographs and writing articles for the blog for 3 years now.
In that time the blog has grown to over 65 posts, almost 400 registered users and nearly 2500 subscribers to the RSS feed. What started out as just a bit of fun and somewhere to show my pictures has grown beyond any and all expectations. Thank you dearly to all of my readers, one and all.
As coincidence would have it, I’ve achieved an ambition that’s been burning away in the back of my mind for the last couple of years – an eBook. What’s more, it’s free and totals just over 50 pages and 43 photographs.
. . . In this review I talk about the Fuji X-E1, but all the images presented here are taken with the Leica M-E . . .
. . . Question: What do a Fuji X-E1 and XF35 1.4 lens, a Leica M6, a guitar effects pedal, an iPad, an electric guitar and a Cello all have in common?
Answer: That is what was sold in order to finance what is for me, the ultimate street photography camera – the Leica M-E, or to give it its full model designation, the “Leica M-E, Which Is Actually An M9 But Without The USB Port Or Frameline Preview Lever And In A Different Colour. Apart From That It’s Identical In Every Way To An M9.”
Of course that can be a bit of a mouthful at times, so for the purpose of this article I shall refer to it solely as the Leica M-E.
I also won’t bore you to death with the industry-standard approach when reviewing a Leica ‘M’ camera, that being a ‘mini-tutorial’ of how a rangefinder works in practice, endless comparisons to DSLR’s or Micro Four-Thirds and especially how manual focusing with a rangefinder is better or worse than autofocus etc.
So without further ado, let’s start at the beginning with a good-old photograph of the ‘beast’ in question – albeit a beast costing a four-figure sum . . . Gulp !!!
Naturally with ‘M’ camera bodies, the price didn’t include a lens, though luckily and considering my manic desire to ‘sell sell sell’, I had the presence of mind to keep hold of the wonderful Voigtlander 50mm f/1.5 lens previously mounted to the M6 and M2 (the latter of which I still have – hey I’m not that mad )
. . . It’s often said (including by me) that one of the attractions of shooting film, is that until you actually come to develop a roll, you just never know what pictorial delights may (or may not) be waiting for you.
Well the same thing happened to me yesterday morning, but it wasn’t from a roll of film.
. . . Yes you’ve guessed it, “you never know what you’re gonna get” (especially where 35mm is concerned). I could also quote a favourite saying of one-time TV football pundit, Jimmy Greeves – “It’s a funny old game.”
At least that’s how it felt as I took my place amongst the crazed swathes of early Christmas shoppers on the streets of Chester recently, one dark and cold Saturday morning.
Mercifully though and despite the ominous blanket of moody black cloud that appeared to hover inches above our heads, the day remained dry. Add to the equation that there was barely a square foot of pavement available to each pedestrian and you have the perfect environment (?) for the Street Photographer, be it one who’s still in recovery from a good-old-fashioned nervous breakdown.
Which brings me nicely to the reason I was now standing approximately centre-left of a shopping thoroughfare, the Leica M2 loaded with HP5 and a Voigtlander 50 f/1.5 lens mounted.
It had been at least 10 weeks since I’d even dared to pickup a camera, partly through fear that doing so might trigger another ‘episode’. What if I started panicking again, or worse still, began sobbing and wailing uncontrollably like some great grizzly bear and in full view of every bewildered passerby?
“Pull yourself together Kevin”, I told myself “you’re made of stronger stuff than this”!?
So whilst utilising some simple meditative techniques I’d learnt just days before, and with an extra large deep breath, I aquired a subject and clicked the shutter.
. . . Thank you to all who have written with kind and helpful words of support, both about my ‘problem’ and their own. Also, to hear that my Bipolar Article has been of help for others in coming-to-terms with various issues, has brought a tear to my eye. Thank you.
I’m especially indebted to a reader of the Street Photography Blog (you know who you are ) who sent me a selection of Meditative literature. As a result of this, I was able to summon the courage to once again grab a camera and hit the streets. Cheers mate.
To that end, I am now writing this post whilst enjoying a coffee outside a Starbucks in Chester. So far it’s been a very enjoyable experience, despite feeling a little detached from reality – floating on a cloud so to speak.
All being well, there should be some cool shots ‘in the can’ and on the blog, soon.
. . . This is without a doubt the most difficult article I’ve ever had to write. Not so much because of the ‘personal’ nature of the subject matter, rather ‘because’ of the debilitating effects of the subject matter itself . . .
. . . It’s been a bit quiet here on the Street Photography Blog of late. Indeed it struck me that I hadn’t posted anything for the whole of October – even September consisted only of ‘bulletins’ regarding interviews and features. Nor for that matter had I taken any pictures. In fact, at no point had any of my cameras been out of the bag for the last 10 weeks or so. Even the ‘Chicken Shed’ darkroom, that warm and cosy outhouse of brick and slate had remained locked and in darkness (much to the relief of the resident spiders).
Sorry, I tell a lie. I did actually go to Manchester with the Leica M6 about 8 weeks ago, with the aim of spending a couple of days shooting on the streets. Sadly, it all took a sudden and surprising downturn from thereon.
Once again, many thanks and huge appreciation to Don Springer and Olivier Duong of Inspired Eye Magazine for the wonderful 18-page interview and photographs in Issue 15 of their exceptional publication. This issue features interviews and photography from 9 photographers, Essays, Readers Gallery and Travel Writing.
Click Here (not a pay-per-click, just a link) to buy the bumper 165-page Issue 15 now for just $4.95 (£3.10 approximately) in PDF format . . .
. . . and click the picture below for a sample of the first page of my featured article.
. . . A big thank you and appreciation once again to Bellamy Hunt of Japan Camera Hunter for the wonderful feature on his excellent site.
Click Here for the article.
. . . Huge appreciation and thank you to Street Photography Magazine’s Bob Patterson for publishing an Audio Interview and Article, with myself. Cheers Bob.
What’s more, Bob has generously created a private screening area so that visitors to the Street Photography Blog can read and listen to the interview for FREE. Just Click Here to be taken to the private screening area and enjoy.
Don’t forget that you can subscribe to Street Photography Magazine for just $1.99 (£1.20) per month, by Clicking Here.
. . . A big thank you indeed to Bellamy Hunt – A.K.A. Japan Camera Hunter, for featuring my Street Photography Kit Kevin Shelley – In Your Bag No:979.
Japan Camera Hunter is a ‘treasure trove’ of reviews and “geekery” for camera lovers. Find the camera of your dreams.
. . . Of my two days shooting Street Photography at the Edinburgh Fringe Festival, I spent half of the first day with the Fuji X-E1 (article here) and the remainder of that day and all of the next shooting with the Leica M6 & Voigtlander 50 1.5 LTM Classic lens (review here). Here then are the photographs taken . . .
What is this ‘thing’ with film that you just don’t get with digital? It can’t be superior image quality as digital technology has more than surpassed 35mm in that respect. Nor for that matter can it be grain, as software such as Silver Efex can easily add as much or as little to your digital files as you like.
. . . Ah, you see what I did with the title there, “Two Classics”? That’s because (aside from the Fuji X-E1), I also took along to the Edinburgh Fringe Festival 2014 a new film camera and lens – the Leica M6 ‘Classic’ and Voigtlander (CV) 50mm f/1.5 LTM ‘Classic’. Yes, I’ve said it before and I’ll say it again, “I LOVE LEICA M’s.”
Now it’s only a little over 2 months since I bought the Leica M2 (review here), which has proven revelatory when it comes to no frills 35mm Street Photography. However, the Leica M6 and CV 50mm f/1.5 have taken what was already a superb package and quashed the last remaining issue I had with the M2 – that being no built-in light metering.